| Film/Video and Web Work |
| 2009 |
Editor/Co-writer, feature-length documentary about Cuban artists (in progress).
|
| 2003 - Present |
Editor, Practica Group, Qualitative Market Research and Consulting |
| 2008 - 2009 |
Multi-media Officer, Mercy Corps' Action Center to End World Hunger. Trained field staff in over 20 countries to develop and produce
video field dispatches about their global relief and development activities; post-produced videos; and managed the cataloging and circulation of videos
at the Action Center and online.
|
| 2007 |
Editor, Looming Crises: Can We Act in Time?, promotional video about conference of same name at John
F. Kennedy School of Government, Harvard
|
| 2007 |
Editor, Meet-the-Pros, documentary portraits of a registered nurse, a civil engineer, and a public school
teacher, STEP/New York University |
| 2007 |
Director/Camera/Editor, Education in Dance, documentary short about non-profit integrated arts program for students pre-k to high school
|
| 2006 |
Editor, The Rise and Fall of Penn Station (work-in-progress), Michael Tramis, producer/director
|
| 2006 |
Additional Editor, The Colors of Macedonia, Pavlina Proevska, producer/director
|
| 2005 |
Director/Camera/Editor, All Roads Lead to the Sea (58 minutes): experimental documentary about Havana, Cuba. Screenings include Big Muddy Film Festival, Chicago Latino Film Festival, Hot Springs Documentary Film Festival, 15th Latin American Film Festival (London), Latin American Studies Assoc. Film Festival (winner of Award of Merit). Project supported by New York Foundation for the Arts, Jerome Foundation, Lucius and Eva Eastman Fund
|
| 2002 - 2004 |
Video Research Resident, Interactive Telecommunications Program, New York University. Advise department on issues relating to digital video, maintain digital video computer lab, mentor students, oversee departmental streaming activities
|
| 1999 - 2003 |
Website development, design and implementation, Corduroy Design, Clients: Barnard College, the Chiapas Media Project, Eyebeam Atelier, Resnicow Schroeder Associates, NYU/Tisch and Trouble Magnet comics, among others
|
| 1998 |
Director/Camera/Editor, Postales (22 minutes): experimental video documentary about the nature of longing, memory and home, shot in Mexico City. Screenings include Festival Internacional de Cortometraje de la Cuidad de Mexico, Mexico, Conferencia Binacional Mexico-Estados Unidos de Cortometraje, Mexico
|
| 1994 |
Associate Producer and Editor, Will to Transform, industrial video for Cigna Insurance, RunTime Productions, Inc. Carli Roni, producer
|
| 1994 |
Associate Producer, Beyond Denial: Addiction in America, Public Eye Productions. Scott Sinkler, producer
|
| 1993 |
Associate Producer/Archival Research, Uprising of '34, Uprising of '34 Productions. Judith Helfand and George Stoney, producers
|
| 1993 |
Assistant Coordinator, The Equalizer, Universal-TV; Postproduction Coordinator, The Street,
Universal-TV; Assistant Editor, Troma Entertainment; Production Assistant, Tales From the Darkside (GeorgeRomero/ Lorimar
Entertainment), Laurie Anderson's Home of the Brave, among others
|
| Selected Panels, Awards, Curatorial Posts
|
| 2007 |
Presenter, Cinethnography - The Visual as a Site for Critical Research, New School for Social Research
|
| 2006 |
Award of Merit, Latin American Studies Association, All Roads Lead to the Sea
|
| 2003 |
Review Panelist, Research Award Program, Photography, City University of New York
|
| 2004 |
Individual Media Artist Grant, Jerome Foundation |
| 2003 |
Individual Media Artist Grant, Lucius and Eva Eastman Fund |
| 2002 |
Juror, Organizing Committee member, IV Salon y Coloquio de Arte Digital, Centro Cultural Pablo de la Torriente Brau, Havana, Cuba |
| 2000 |
Interval Research Fellowship, Interactive Telecommunications Program, New York University
|
| 1991 |
Curator, CityLore Film Festival, City Lore, New York |
| 1991 |
NYU Chancellor's Service Award, recognition for coordinating and programming film series
|
| Teaching |
| 2005 - present |
Adjunct Asst. Professor, Interactive Telecommunications Program, NYU. Experimental Documentary
|
| 2005 - 2006 |
Lecturer, School of Art + Design, SUNY/Purchase. Video Art |
| 2001 |
Artist-in-Residence/Instructor, Chelsea Vocational Public High School; Eyebeam Atelier, New York
|
| 2000 |
Adjunct Asst. Professor, Interactive Telecommunications Program, NYU. Communications Lab (introduction to new media: theory, criticism and practice)
|
| 2000 |
Adjunct Asst. Professor, Media and Communications, City College of New York (CCNY). Research and Writing for Media lab
|
| 1999 |
Instructor/Technical Advisor, Eyebeam Atelier, Digital Day Camp |
| Consulting |
| 2001 - 2002 |
Centro Cultural Pablo de la Torriente Brau, Habana, Cuba |
| 2001 - 2002 |
Center for Indigenous Video, Oaxaca, Mexico |
| Publications |
| 1996 - 1997 |
Feature Writer/Assistant Editor, cultural section of The Mexico City News, Mexico City, Mexico
|
| 1997 |
"Kunst und Kultur in Der U-Bahn von Mexico City" in Kunststadt/Stadtkunst, Volume 42, Summer 1997, pp 9-11. Berlin
|
| 1990 |
"Margaret Mead Film Festival 1990" Review, in CVA Review, Spring, 1990, pp. 58-59. Montreal, Canada
|
| 1990 |
"Revisioning New York. Why History?: Race and Class in New York City" with Brian Larkin. AfterImage 19(2)
|
| Education |
| |
MPS, Interactive Telecommunications Program, NYU
MA, Anthropology, NYU
Certificate, Program in Culture and Media, NYU
BA, Literature and Religion, NYU
|
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